Celebrating 20 years of inspiring the future of the American Theatre
Che’Rae Adams is currently the Director of Operations and Programming for the Moss Theater in Santa Monica and has been the Producing Artistic Director of the LA Writers Center since 2006 where she develops new work with local writers. She has also been a Development Executive for Playhouse Pictures Studios, Co-Artistic Director of the Road Theatre Company, and Managing Producer for the LA Women’s Theatre Festival. She began her career as the Assistant to the Staff Producer at The Mark Taper Forum where she worked on the writing workshop of the Pulitzer Prize winning Angels in America, Part II: Perestroika. Also for the Taper, she coordinated the Taper Lab Series and Mentor Playwright's Series working with writers such as Luis Alfaro, Anthony Clarvoe, Marlane Meyer, David Lee Lindsey, Oliver Mayer, Ellen McLaughlin, Alice Tuan and Mac Wellman. Che'Rae has directed/dramaturged the West Coast premiere productions of several new plays including pieces by Lee Blessing, Ken Hanes, Patricia Cardosa, John DiFusco, Jon Bastian, and Abi Morgan. Other credits include Cincinnati Opera Outreach, Disney/ASCAP Musical Theatre Workshop, Highways Performance Space, and Troupe Vertigo at the John Anson Ford Amphitheatre. She has worked with prominent performers such as Tonya Pinkins, Lynn Redgrave, Patti Cohenour, Kim Fields, and Carlos Alazraqui. She has worked with award winning directors and choreographers such as Vincent Paterson, Tom Hulce, Bonnie Story, Lula Washington, Kitty McNamee, Tina Kronis. Che'Rae is also an experienced public speaker and teacher having taught acting and writing workshops at various institutions around the country such as The Kennedy School of Government at Harvard University, Catholic University, Miami Dade University, California State University, Fullerton, UCLA Extension, and Azusa Pacific University. She has also served on panels for Hollins University, The New Playwright’s Festival at the College of the Desert, and the Kennedy Center American College Theatre Festival. Her students are Academy Award winners, New Century Writer Award Finalists, PEN West Literary Award Drama Nominees, New York Drama Desk Award winners, Los Angeles Drama Critics’ Circle Award Winners, and NAACP Award Winners. She is the recipient of a SDC Foundation Observership Award and has been nominated for a Cincinnati Enquirer Entertainment Award and Backstage West Garland Critics Citations Award. She has a Masters Degree from the University of Cincinnati, College Conservatory of Music and a Bachelor of Arts Degree from California State University, Northridge. Fun fact: In 2009, Che’Rae played Gladys Presley in Cirque du Soleil’s Viva Elvis which opened the Aria Casino in Las Vegas.
Ernest Figueroa has been a dedicated director, producer, actor and playwright in theatre, film and television throughout the country. As a founding director of Directors Lab West, he has served on the Steering Committee from 2000 to the present which now boasts over 300 alumni. He was a member director and presenter for the Lincoln Center Theater Directors Lab in New York in 1998 and 1999. He directed the New York premiere of Dos Corazonesrepresenting the Lincoln Center TheaterDirectors Lab Festival @ HERE in New York. Since 2008 Figueroa has served as Producer at the state-of-the-art Broad Stage, a 541-seat presenting house located at the new Santa Monica College Performing Arts Center. There he assists on the programming and coordinates production of the season that includes notable artists in the fields of opera, jazz, choral, chamber and orchestral music, theatre and dance. He served as Artistic Director of The Group Rep at the Lonny Chapman Theatre in North Hollywood from 2009- 2010 and as a Director and performer with the second longest running show in Los Angeles, the American Girl Revuefrom 2004-2006. He was the Associate Artistic Director for the Sacramento Theatre Company from 1996 – 1998 where he also served as casting director and literary manager. Previously, he worked as the national Education Director for Plays for Living, Inc. in New York City and worked twice on the professional staff of the Pasadena Playhouse. He currently works as a Director and Producer with Bonnie Franklin’s outreach program, C.C.A.P. – Classic and Contemporary American Plays. With C.C.A.P. he has directed a large variety of staged-readings including All My Sons starring Ms. Franklin, A Touch of the Poet starring David Birney, Death of a Salesman starring Michael Gross, and Broadway Bound with Harold Gould. In 2001, he was honored as a Drama League Fellow serving as the Associate Director onBlue starring Phylicia Rashad, first working on the production at the Roundabout Theatre Company in New York, then working on the production at the Pasadena Playhouse, finally guiding the play onto theArizona Theatre Company, Coconut Grove in Florida, and the Paper Mill Playhouse in New Jersey starring Leslie Uggams. His award winning productions include Oleanna at the Third Street Theatre andThe Effect of Gamma Rays . . . at the Alternative Repertory Theatre. He has launched two active Improv companies, “Loose Screws” in Hawaii and “Metro North Improv” in Connecticut. Figueroa won the ’96 W.A.V.E. award for his talk show “Adelante!” featuring Hispanic role models. He received his Masters of Fine Arts in Directing from the University of Hawaii at Manoa, and his Bachelor of Arts in Speech and Theatre Education from McPherson College in Kansas. His professional training includes improvisation studies at the Groundlings School in Los Angeles and studies at the American Academy of Dramatic Arts. Figueroa is a Member of the Stage Directors and Choreographers Society.
Janet Miller is a producer, director, choreographer and educator. Her original choreography has been showcased Off-Broadway at the Westside Theatre in The Marvelous Wonderettes. She received a Lucille Lortel Award nomination for Outstanding Choreographer for this production. Janet garnered a LA Stage Alliance Ovation nomination for her work on TMW, a BackStage West Garland, a Los Angeles Drama Critics Circle Award for Best Choreography, a BroadwayWorld LA Award nomination for Best Choreography and was part of the team that won the Ovation Award for Best Intimate Musical in 2007. She also received a Garland and a LADCC choreography award for Winter Wonderettes. Ms. Miller was thrilled to choreograph the European Premiere of TMW for Teatro Franco Parenti in Milan, Italy. Janet has staged her award winning step touch extensively throughout the US, most notably at Northlight in Chicago, San Jose Repertory Theatre, Capital Repertory in Albany, NY, Sacramento Music Circus, Pittsburgh CLO, The Plymouth Playhouse in Minneapolis, Cabrillo Music Theatre in Thousand Oaks, CA, Moonlight Stage Productions in Vista, CA, McCoy Rigby Entertainment, and The Merry-Go-Round Playhouse in Auburn, NY. Good People Theatre Company just celebrated their three-year anniversary and Janet serves as Producing Artistic Director. GPTCo has six productions under their belt thus far, A Man of No Importance, Barrymore (2x) The Fantasticks, Closer Than Ever, and Marry Me A Little. The shows have been well received in Los Angeles by both critics and spectators, garnering wonderful notices, as well as inclusion in several year-end roundups for Best Production and Best Director, and LA Weekly nominations for Best Musical Production, Best Musical Director, and Best Director-Musical for AMONI. AMONI and Barrymore were both Ovation Recommended, and Barrymore received a 2013 Ovation nomination for Best Actor. Janet was the Resident Director for Phantom Projects Theatre Group, housed at the La Mirada Theatre for the Performing Arts. In 2010, she had the honor of directing Lydia R. Diamond’s adaptation of the Toni Morrison book, The Bluest Eye to critical acclaim. The following season, Phantom remounted this production at the Miles Playhouse in Santa Monica for a successful run. Also for Phantom Projects, she has helmed The Miracle Worker, The Crucible, Of Mice and Men, To Kill a Mockingbird, The Complete Works of William Shakespeare (abridged) Grapes of Wrath, The Giver and The Importance of Being Earnest. Ms. Miller has worked on both coasts on such shows as Side By Side By Sondheim, South Pacific, Guys and Dolls, Kiss Me Kate, Jesus Christ Superstar, Anything Goes, Baby, The Fantasticks, Annie Get Your Gun, Dames At Sea, Charlie Brown, Urinetown, Bat Boy, The Musical, The Odd Couple, The Nerd, The Man Who Came To Dinner, The Rimers of Eldritch, and Taming of the Shrew to name a few. Her preferred style of dance is tap, which she has taught and choreographed worldwide in China and Thailand. She was one of the founding members of Golden State Theatre, the Family Theatre of La Mirada, for eighteen years, directing and choreographing over 50 original productions. Janet is the recipient of the 2003 Excellence in Art Award for Drama from the city of Torrance, where she was the Artistic Director/Resident Director at the Torrance Theatre Company for seven years, directing sixteen shows during her tenure. JM holds a B.A. in musical theatre from CSUN, and an M.A. in theatre from CSULA. She is adjunct faculty at CSUN, CSULA and Cerritos College. Ms. Miller is a proud member of SDC.
Diana Wyenn is a Los Angeles-based director, choreographer, dramaturg, and curator of contemporary performance, who—whether working on large spectaculars or more intimate performances—consistently challenges and inspires audiences to see beyond the usual. As a director and choreographer, Diana has collaborated on projects with The Walt Disney Company, Lincoln Center, the LA Philharmonic, Center Theater Group, REDCAT, SummerStage, Grand Performances, CAP UCLA, Ford Theatres, Chalk Repertory Theatre, and Ghost Road Ensemble, among others. Committed to fostering the development of new works for the American stage and her fellow directors and choreographers, she also serves as literary manager for Inkwell Theater and on the producing steering committee for Directors Lab West, of which she is an alumna. In addition to her freelance work, Diana is the co-founder of Plain Wood Productions with her husband LABAN, a former pro-skateboarder turned music video director. Together, they direct and produce music videos, short films, and live performances. She is also a Climate Reality Leader, and serves as Artistic Director of TIOH Arts & Culture, where she curates contemporary performance reflecting progressive Jewish values. Recently, Diana jumped back on stage to create and perform Blood / Sugar, an autobiographical solo performance illuminating and embodying the global diabetes epidemic. Currently touring, the production won Outstanding Performance of a Solo Performance and Outstanding Playwright of a Solo Performance at the 2018 Planet Connections Theatre Festivity, as well as The Planet Activist Award for its informative talkbacks with local diabetes educators after every performance. Diana's work, ideas, and words have been featured in American Theatre Magazine, Howlround, the Daily Beast, LA Times, Fast Company, and on NPR. She received her BFA in Drama from New York University and is a proud associate member of the Stage Directors and Choreographers Society.